Hey, Let me just say I give props to anyone out there thinking green and trying to make the world a better place through design. That being said, mad props to designer Shiu Yuk Yuen. She is out there fighting the good fight, and her latest design inspiration may be a bit of a mis-fire(in my opinion), but still deserves to be dissected, praised or criticized with the best of them. Her “Eco-Brolly” umbrella design might be more aptly named an UNbrella. This “UNbrella” design has you running to find some um… protection, when you need it the most. The idea was to reuse discarded newspapers as the canopy for your umbrella skeleton, therefore making this design “green.” My only issue with this is that if you can’t find a discarded newspaper, you are left just wet, not green. Issue two for me, I am always using my umbrella to break my fall when jumping off of building or falling from the sky, or on my way to work babysitting British children…this just won’t do the trick. Cheerio!

Designer: Shiu Yuk Yuen

Texts from the designer:

This umbrella can re-use and adapt objects such as newspaper, card, and plastic bag and turn it into an umbrella. It can re-use whatever the consumer thinks of reusing. It is a supporting devise when it rains, all the user has to do is unscrew the top lid, poke the lid onto the middle of the newspaper, quick screw to secure it & open it out like an umbrella!

It is used for short distances, but it can be used longer, by clipping the clips at each end of the umbrella onto the newspaper to stabilise it. It is pocket size, lightweight aluminium, suitable for Britain, where the weather is unpredictable, especially for Central Londoners, where free newspaper is available.

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Published 6 days ago from Anthony James on Yanko Design Received 6 days ago
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Now here is a perfect example of concept design bettering the world in previously unimagined ways. The deaf of the world are not just being deprived of music, a sweet whisper and a simple phone call. They are also lacking the ability to be fairly warned of impending danger from out of sight sources. Designers Kwang-seok Jeong, Min-hee Kim and Hyun-joong Kim really deserve a round of silent applause for this inspired design. “Vibering” is an ingenious way to help the deaf, by fashionably housing a sound detection and identification system to be worn as a pair of rings and a wristwatch. The rings are to be worn on both hands and are the ears that not only listen for sounds emanating from behind, they also determine distance, position and vibrate according to source. The wristwatch aspect, identifies the sound wave and present this info to the wearer in an easy to read display. The watch is programmed to listen for certain key phrases from humans like “Excuse Me..”, your name being called and any number of car noises including the most important one, a car’s horn. This device concept could not just be a major life enhancer for the deaf, it would most certainly save lives.

Designer: Kwang-seok Jeong, Min-hee Kim and Hyun-joong Kim [ Via: 6 Fingers ]

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Published about 1 month ago from Anthony James on Yanko Design Received about 1 month ago
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Anyone who has spent a significant period of time either living in a small windowless apartment or tripping through the galaxy on a mind bender may have at one point felt the urge to tear a hole in the wall to let some light in. Judging by this concept, designer Billy May almost surely has. His Torn Lighting is perfectly disguised on your wall while hiding it’s LED secrets from view. The result is the rather impressive illusion sure to leave your guests bemused, provided you paint it to match your walls of course.

Designer: mayw@wlu.edu">Billy May

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Published 28 days ago from Shane Crozier on Yanko Design Received 28 days ago
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The colmeia group recently installed their Caffeine Viewer project where they hacked their coffee maker to log their "insane coffee consumption" in real-time. Every time a person presses a button on the coffee maker data are logged, but there's a slight twist - the data are available to everyone via the caffeinated API. That's some serious self-surveillance. There are also a few visualizations, but mainly, they invite others to create their own.

Hacking the coffee maker:

Caffeine arcs:

How much coffee do you drink every day? More importantly, if you saw how much coffee you drink per year, would you cut back?

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Published 8 days ago from Nathan on FlowingData Received 8 days ago
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Bulbcap.jpg This is a quick and easy way to dress up a bare lightbulb...

The Bulbcap is a lampshade, slightly more than a lightbulb. The caps are directly pulled over the lightbulbs of up to 40 watts. Any wattage can work when using economical lightbulbs. The Bulbcaps can be fixed on hanging bulbs from the ceiling, or on standing lamps of any kind. Mix and match various colors to create a collage of lights!
[posted by katie]

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Published 22 days ago from bltd on Better Living Through Design Received 22 days ago
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code_swarm.jpg
an "organic software visualization" that shows the history of commits in a software project. a "commit" happens when a developer makes changes to the code or documents & transfers them into the central project repository.

both developers and files are represented as moving elements. when a developer commits a file, it lights up & flies towards that developer. files are colored according to their purpose, such as whether they are source code or a document. if files or developers have not been active for a while, they will fade away. A histogram at the bottom keeps a reminder of what has come before.

the website provides links towards visualizations of different software projects, including Eclipse, Phyton, PostgreSQL & Apache.

[link: ucdavis.edu]





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Published 25 days ago on information aesthetics Received 25 days ago
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wordle.jpg
an online tool for generating beautiful “word clouds” from user-provided texts, such as plain text files or del.icio.us tags. the clouds give greater prominence to words that appear more frequently in the source text. users can tweak their clouds with different fonts, layouts & color schemes. users can also print them out, or save them to the Wordle gallery to share with friends.

unlike a normal tag cloud, Jonathan Feinberg's uses the interior space of the words & letters... the result is simple but beautiful.

[link: wordle.net|thnkx Martin!]

see also:
. presidential speech word cloud
. semantic word cloud
. newzingo
. groop.us
. data cloud
. word news
. the voice
. power of words
. tagged colors
. word hearts

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Published 26 days ago on information aesthetics Received 26 days ago
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viewzi.jpg
an adaptive visual search website that is able to radically change in both appearance and function depending on the search term. Viewzi consists about 16 different views, including a “3D Photo Cloud”, “Album View”, "Celebrity Photo View" & a “Weather View”. each view draws results from different sources, ranging from Amazon to Weather.com.

[link: viewzi.com|via techcrunch.com]

see also:
. brynsbrain, redzee & searchMe
. oskope visual search & shopping
. search crystal
.
like image search
. mnemomap visual workflow search
. brainmap hierarchical search
.
casual search
. tianamo 3D web search
. cocovas


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Published 27 days ago on information aesthetics Received 27 days ago
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The Lumeneo Smera is the smallest passenger car I have seen to date.  While I like that it is environmentally friendly I don’t know if I’d feel comfortable sharing an environment with a Hummer if I were driving one of these, yet that may not be an issue for long.  While this little guy is still a concept it is planned to go into production in 2009 and should bare a price tag of between 20-30,000 Euros…

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Published 28 days ago from Matt on greenUPGRADER Received 27 days ago
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BMW is really thinking outside the proverbial box with their latest concept design exercise. If the previously featured M1 concept did not strike your fancy, maybe this GINA Light Visionary Model will do the trick. The GINA is a roadster concept wherein the use of sheet metal found on bodies of production vehicles has been replaced with a special, flexible, highly durable and extremely expansion-resistant fabric material that stretches across a metal structure.

Unlike traditional cars, various aspects of the bodies substructure are moveable and can be shifted by means of electro-hydraulic controls, changing the shape of the outer skin and overall design. One interesting example of this feature, becomes apparent in the headlight arrangement. When the headlights are not active they are hidden under the special fabric cover, as soon as the driver turns on the lights, the contour of the front ends changes revealing the headlights, looking a lot like a character out of the Pixar movie “Cars”.

The whole point of this exercise is to prove that rigid body panels (as they are today) are not a necessary design element and do not significantly improve the overall safety of the automobile. Most crumple zones are 100% dependent on good frame design and materials.

This fabric design also enforces a more green and cost effective approach to automobile design. I just look forward to no more fender benders. Full press release after the images.

[ Via: Carsoop ]

Press Release

The key to affecting the development of tomorrow’s mobility lies in our readiness to challenge what is established and in the ability to present new options. In order to meet these objectives, BMW Group Design taps into the potential of the GINA principle (Geometry and Functions In “N” Adaptions) which promotes innovative thinking by allowing maximum freedom of creativity. GINA produces dramatically different solutions that affect the design and functionality of future cars. The GINA Light Visionary Model is an optical expression of selective, future-oriented concepts which provide an example of the manner and extent of this transformation.

BMW Group Design is not just interested in answering the question of how the car of the future will look but primarily wishes to explore the creative freedom it has to offer. Both of these aspects are affected by the requirements that future cars are expected to meet.

All ideas that the GINA Light Visionary Model presents are therefore derived from the needs and demands of customers concerning the aesthetic and functional characteristics of their car and their desire to express individuality and lifestyle. The GINA Light Visionary Model has an almost seamless outer skin, a flexible textile cover that stretches across a moveable substructure. Individual functions are only revealed if and when they are needed. With this model, BMW Group Design initiates a fundamental discourse about the characteristics that will affect the development of cars in future. It is therefore fundamentally different from concept cars, which reflect what is expected of them by implementing as many elements as possible in a future production model. In contrast, the GINA Light Visionary Model is a vision of future cars and serves as an object of research.

The seamless car body of the GINA Light Visionary Model.

Putting its visions of tomorrow’s car into practice, BMW Group Design has developed a two-seater roadster with the unique dynamic proportions that are typical of its brand. The GINA Light Visionary Model takes the sculptural design that has already been established by a number of production cars to a new, unparalleled conclusion. The car’s front and sides, including the doors, create one single uninterrupted, seamless whole that converges to form an optical as well as a structural unit.

In order to create this appearance, it was necessary to move beyond all previous conceptions of car body configuration, design and materials. Therefore, the GINA Light Visionary Model has dispensed with the usual body elements found on production vehicles such as front apron, bonnet, side panels, doors, wheel arches, roof, trunk lid and rear deck. Instead, a new structure with a minimum amount of components has taken their place. A special, highly durable and extremely expansion-resistant fabric material stretches across a metal structure. This new material offers designers a significantly higher level of freedom of design and functionality.

The body consists of only four elements. The largest component extends from the front of the vehicle to the edge of the windscreen and down the sides to the rear edge of the doors. The large side panels start at the front where the rocker panels emerge and run across the rear wheel arches into the rear. The fourth component is the central rear deck element.

An innovation breaks new ground: car with a flexible outer skin.

The innovation of a flexible outer skin breaks new ground in automotive engineering. This revolutionary solution opens up new design, production and functionality potential. It has a major impact on the interaction between driver and car and enhances it by offering a variety of entirely new options. Some elements of the substructure are moveable.

The driver can move them by means of electro and electro-hydraulic controls. This will also change the shape of the outer skin, which can thus be adapted to suit the current situation, the driver’s requirements and can also enhance the car’s functional range. The most striking example of this is the headlight design. In normal position, when the headlights are not active, i.e. when there is no necessity to illuminate the road, they are hidden under the special fabric cover.

As soon as the driver turns on the lights, the contour of the front end changes.

Activated by the metal structure that lies beneath it, the previously closed fabric cover opens to the right and left of the BMW kidney grille and reveals the BMW double head-lights. The rear and the rocker panels of the GINA Visionary Model can also adapt both the shape and function to the driving situation in hand. Both can change the shape of their outer skin to meet the driver’s requirement for particularly dynamic motoring. This concept also takes into account a potential interaction with aerodynamic requirements.

The design of the rear element allows for automatic lifting of the rear spoiler when a certain speed is reached, thus creating extra downforce on the rear axle at higher speeds. Due to the fact that the entire rear end, including the spoiler, is covered by a single sheet of material that reaches as far as the rear compartment of the interior, the homogeneous shape of the car’s rear will not be affected by changes to the spoiler position. The mechanical system that moves the elements remains concealed.

The turn indicators and the taillights function without changes to the shape of the outer skin. Their position, however, is only revealed upon activation. The emitted light shines through the translucent fabric cover, which is permeable to light but not transparent.

The rocker panels demonstrate the formal versatility of the GINA Light Visionary Model with an equally impressive performance. The air duct can be optimised if required. A corresponding movement of the metal structure results in an adjustment of the rocker panel contour to allow for better airflow. At the same time, an additional protruding rocker panel line emerges. The aerodynamic optimization and the length of the line can be infinitely adapted to the driving situation at hand.

Special fabric cover ensures accurate reproduction of material folds.

The fact that the body surface is designed by means of a flexible fabric cover that stretches across a metal substructure means that the materials used must meet exacting requirements. Industrially produced hybrid fabric made from a stabilizing mesh netting support and an outer layer that is both water-repellent and resistant to high and low temperatures is suitable for this application. Another essential material property is a maximum level of dimensional stability. It must remain dimensionally stable irrespective of the temperature and air humidity it is exposed to even after severe and constant expansion.

The dimensional stability helps retain the cover’s surface tension for a long period of time. The movement of individual body elements creates accurately reproducible folds in the material. In its choice of material BMW Group Design was inspired by exterior and interior architecture. The expertise of seat pattern designers working for BMW Group Interior Design was successfully applied in order to cut the fabric webbing to size with maximum precision, determine the strategic position of attachment points and stretch the material. As a result, the surfaces are remarkably well balanced and due to the steady tension that is retained between any two clearly defined points, the lines are extremely accurate.

The special fabric is supported by a metal wire structure. At specific points, the high-strength metal is enhanced by carbon struts with a higher flexibility. They are used predominantly for round, moving contours with a particularly narrow radius.

The use of large fabric areas and the possibility of changing the surface contours by moving individual parts of the metal mesh that lies beneath it create a new relationship between form and function.

If additional cooling air is required, the BMW kidney grille at the front of the vehicle can be opened. Because the overall surface of the special fabric covering remains unchanged, the contraction at the front of the vehicle, which is necessary for functional reasons, has to be compensated for by extra tension in other areas. The result is an optically attractive interaction between various body parts that introduces a new dimension to sculptural design. The widening of the kidney grille openings is activated by a movement of the metal mesh in the front area of the side panels. This creates more tension, which becomes visible by the emergence of an additional character line. The development of this new contour tenses the front of the vehicle: the kidney grille opens up.

Innovative body structure introduces new functional dimensions.

The high-precision fit of the material to the metal mesh also allows surface changes without slackening the tension. In this case, opening of the surface by moving the respective steel mesh struts creates precisely defined folds in the material. The GINA Light Visionary Model uses this option to display a function that corresponds to the opening of the hood in conventional vehicles. The material opens at the centre of the engine cover and can be folded to the far right and left along an opening line that is approximately 0.5 meters long, to allow the driver or mechanic access to the service points in the engine. The filler caps of the engine oil, cooling and wiper water tanks are now open for servicing. Opening and closing is similar to the mechanism on a doctor’s traditional medical bag, where clip-lock fasteners are held together in the middle by a rail.

The effect of the accurate surface material draping is even more impressive when the doors are opened. They swing both outwards and upwards. The high number of attachment points for the fabric cover positioned at the front of the car as well as at rear door edges creates a clearly defined and perfectly reproducible bulk of material.

The draping is confined to the area between the front door edge and the side panel. Once the doors are closed, the folds in material disappear completely, leaving a perfectly smooth, stretched material surface.

The interior: discourse between driver and vehicle.

In the interior, variability, form and function are united in an inseparable connection. Whenever selected functions are accessed, the driver also changes the appearance of individual car elements. Again, the car’s variability is adapted to suit the driver’s needs. This creates a close interaction between driver and car in various different situations.

When the car is parked, the steering wheel and the round instruments – rev counter, speedometer and fuel gauge, which are vertically arranged on the centre console, are in idle position. This provides the driver with maximum comfort upon entering the car. Likewise, the seat only assumes its optimised functional position and shape if and when the driver sits down on it. At that point, the headrest, previously firmly integrated into the seat’s backrest, rises up automatically. At the same time, the steering wheel moves towards the driver and the instrument panel moves in the same direction. The information on the best driver-specific position of both steering column and seat is stored in the transducer. The engine is started simply by pushing the start/stop button.

The smooth transition of interior and exterior that is typical of BMW convertibles is reinterpreted by the GINA Light Visionary Model. The fabric that covers the rear deck runs into the interior and stretches across the driver and front passenger seats. The same material is also used for the surface design of the door trim and armrests. The shift lever in the centre console protrudes from tightly stretched textile bellows.

Driver and front seat passenger look out through a steeply inclined windscreen with the inside rear view mirror integrated into its frame.

The side view mirrors are connected to the window frame. A narrow vertical dividing bar located at the center of the windscreen harks back to the typical windscreen division of traditional roadsters.

Innovative thinking put into practice: the GINA Light Visionary Model.

With the GINA Light Visionary Model, BMW Group Design focuses on a wide variety of issues that will determine the future conception of mobility. It demonstrates the results of intense research into design, functionality, material and production. All ideas that have been put into practice in the GINA Light Visionary Model are derived from the same motivation: to challenge conventional and previously pursued solutions. The quest for alternative options has generated a wide variety of different requirements that potential solutions are expected to meet. The main focus is on providing general versatility and catering to customer requirements with sophisticated solutions. In accordance with the GINA principle, every functionality enhancement helps to create an emotional bond between the driver and their car.

The new solutions also allow for the option of fast, flexible and cost-efficient production.

Every innovation demonstrated by the GINA Light Visionary Model also contributes to a clearly optimised resource management. As the quest for sustainability is one of the central issues of the GINA philosophy, new materials and manufacturing processes are expected to consume less resources and energy than previous solutions.

Accordingly, the infrastructure used for manufacturing cars that are built in compliance with the GINA principle, has also changed. The manufacturing process requires fewer model-specific tools, and more highly-qualified skilled specialists. In all the areas referred to above, the GINA Light Visionary Model has provided inspiration for more intense research into ideas conceived as a result of maximum creative freedom.

Emotional appeal of roadster models and visionary prospect of future cars.

The solutions conceived as part of this philosophy are not considered separately, but have been pooled in an integrating vision – a vision that is expressed in the context of an outstanding, fascinating car.

The basic features of a roadster with its eight-cylinder combustion engine below a stretched front that applies motive power to the rear wheels in order to move the car along the road defines this context.

The synthesis of elementary visions and sheer driving pleasure expressed by the appearance of the GINA Light Visionary Model has a particularly striking emotional impact. Only the particular appearance of a fascinating car with its authentic design that creates a natural aesthetic look can bring to light the significance of the presented innovations.

The GINA Light Visionary Model builds a bridge between vision and reality by presenting a number of features with a striking similarity with those found on production vehicles. The Roadster rests on 20″ alloy wheels in a cross-spoke design with a matt silver finish. The car body is comprised of an exceptionally light aluminum space frame.

Two double tailpipes for the rear exhaust system, a third brake light integrated into the height-adjustable rear spoiler, an air splitter at the front and a rear-end diffuser in a carbon design also meet the standards of a production vehicle.

Nevertheless, the GINA Light Visionary Model retains its character as an object of research. It demonstrates the innovative force of BMW Group Design and its ability to challenge what is established, to find new solutions and to interpret these in the context of the car of the future at a high aesthetic level. This car is the logical continuation of the GINA principle in action. The GINA principle has already led to a variety of innovative concepts and has production vehicles in ways that are completely new and unprecedented by any other car manufacturer.

BMW Group Design uses concept cars such as the BMW concept car CS1 of 2002 as a step on the way towards putting a particular vision into practice. The CS1 was the first to present features such as the basic principle of the innovative control system – the BMW iDrive.

Independently from all other innovative features shown by this concept car, the iDrive has become a series production feature. Similarly, the GINA principle gave rise to an innovative manufacturing method that allows the manufacturers to decorate outer skin components that have been preformed by conventional methods with individually configured, high-precision contour lines prior to their reintegration into the manufacturing process. The Rapid Manufacturing method utilized for this process was first used during the production of hoods for the BMW Z4 M Roadster and the BMW Z4 M Coupé. In these models, the finished hood has received two distinctive contour lines prior to painting.

These are not produced by a pressing tool but embossed into the metal with pin-point precision by a robot-guided steel pin.

Both examples illustrate the challenging route from a vision to a concept and to final series production that is not always straight and direct. With the GINA Light Visionary Model, BMW Group Design shows where this route begins. Not all innovations shown by the GINA Light Visionary Model will proceed to the next stages. In its entirety, however, the visionary look into the future shows the extent to which the BMW Group employs creative potential in its endeavour to respond to the challenges of tomorrow’s mobility.

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Published 28 days ago from Anthony James on Yanko Design Received 28 days ago
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TED Sphere

Another fascinating project coming from the proliferous Bestiario studio. TED Sphere offers a different way to enjoy all the knowledge from TED by combining 3D space navigation with network navigation based on semantical compatibility. It's a great and original way to explore the vast index of TED videos.

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Published 29 days ago on visualcomplexity.com Received 29 days ago
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large_graphs.jpg
a collection of about 1,890 graph drawings of matrices in the University of Florida Collection. each of the datasets, here sparse matrices is viewed as the adjacency matrix of an undirected graph, which is laid out by a multilevel graph drawing algorithm. if the graph is disconnected, then the largest connected component is drawn. the largest graph in this collection has 8,863,287 vertices & 44,185,251 edges.

[link: research.att.com]

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Published about 1 month ago on information aesthetics Received about 1 month ago
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ChickenKnives
Correct me if I'm wrong but don't you think that x-rays are ace? Unquestionably cool (unless they're of your own mangled limbs of course) I suspect they have almost universal appeal to designers.
Like dutch grey board, bulldog clips, letterpress, those rectilinear things, die-cutting and foil-blocking (and other stuff I can't think of right now), x-rays fall into that exclusive club of materials/effects that provoke near euphoria in us when we get the chance to use them on a job...No, what I mean is, when they are perfect for a job. So perfect, you know the client would be mad if he/she didn't go for it.
Neon, that's another one.
It's at an early stage still but we're hoping to use x-rays for a job* and have been talking to Nick Veasey about it. He knows his onions.

* No chickens were x-rayed specifically to create this post.

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Published about 1 month ago from marbergrid on Ace Jet 170 Received about 1 month ago
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digg_rings.jpg
a simple visualization of the top 10 most-dugg stories of the day (by midnight) for the past year, rendered as a series of tree-ring-like symbols, moving outwards in time. rings are colored according to Digg's eight top-level categorizations. ring thickness is linearly proportional to the number of diggs the story received. trends comparisons can be made by category or weekday.

[link: chrisharrison.net]

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Published about 1 month ago on information aesthetics Received about 1 month ago
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tedsphere.jpg
an alternative visual interface to browse through all the information & talks from TED talks: inspired talks by the world's greatest thinkers & doers. TED sphere offers a 'different' way to enjoy this rich knowledge while highlighting the relations between the talks' content.

videos are presented in- or outside a 3D globe & can be searched by content tags.

[link: bestiario.org|thnkx Jose]

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Published about 1 month ago on information aesthetics Received about 1 month ago
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The Bestiario design group seems to have been busy lately. Their latest project, TEDSphere, unsurprisingly, places the ever-so-popular TED talks series in a spherical space. You can watch TED talks from both inside and outside of the sphere, which is pretty cool.

inside tedsphere

Talks are connected with lines to show relationships between lectures. Originally, I thought relationships were talks with similar tags, but I clicked around, and that doesn't seem to be case, so I'm not immediately sure.

Similar Look and Feel

TEDSphere has a similar look and feel to Bestiario's previous works with the 3D browsing and connections, which is nice and often provides smooth browsing experience. Although I wish the 3D environment could be rendered a bit more smoothly. Edges and connecting lines always look so coarse. It's probably a limitation of the Flash environment, but if that could be accomplished, these 3D projects could look that much better and feel less alpha.

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Published about 1 month ago from Nathan on FlowingData Received about 1 month ago
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timetube.jpg
an online & interactive timeline that arranges the unsorted collection of YouTube videos by date, offering a visual & useful perspective on recent events. individual videos are placed on a horizontal timeline, with more popular videos appearing larger.

[link: dipity.com|via techcrunch.com]

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Published about 1 month ago on information aesthetics Received about 1 month ago
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This new body design by Manuel Prada takes inspiration from ancient telescopic instruments, a commentary on searching for the right picture - that perfect frame. All the mechanics fit inside a barrel optimizing it for one-handed operated. This makes it easier to hold steady removing the need for optical stabilization and even tripods.

Now take issue, I’m an amateur photographer and based on this design I can already point out a few flaws. The best optical quality comes from the least amount of moving parts and this one looks like it has a boatload with all those rings. Part of being an SLR is being able to adapt or create your environment by the use of interchangeable lenses - characteristics this design seems to forgo. Lastly the flash ring around the lens barrel may in theory create even lighting but having a flash that close to the iris only serves to distort the image.

It’s an interesting design that could be fruitful provided the right technologies come along to overcome its shortcomings but until then, SLR’s aren’t going to change in form for a long time.

Designer: Manuel Perez Prada

Above (click for a larger image)

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